Wendy McMurdo was born in Edinburgh where she initially trained as a painter. She left the UK in the mid 1980s for the Pratt Institute, New York. While studying there, she turned to photography and on returning to the UK, began to work for the first time with this medium.
After completing an MA at Goldsmiths College, London, she was awarded a two-year fellowship by The Henry Moore Foundation. These two years were to prove critical in her development and in 1993 she produced her first major solo exhibition In a Shaded Place. Working for the first time with the computer, she produced a series that explored the intersection between autographic photography and the digital image.
The rapid proliferation of computers in schools provided the context for the development of her next body of work that looked directly at the influence of computers on early years education. Working closely with local schools, she explored the role of the child within the school, the growth of the Internet and the development of networked play.
These projects were shown throughout Europe in exhibitions such as The Anagrammatical Body: The Body and its Photographic Condition curated by Christa Steinle and Peter Weibel for ZKM, Karlsruhe, Germany; Uncanny, curated by Urs Stahel for the Fotomuseum Wintherthur and Only Make Believe curated by Marina Warner for Compton Verney, Warwickshire, UK.
In 2017, her project Indeterminate Objects (classrooms) was commissioned for The Photographers’ Gallery Media Wall in London. In 2015 she was awarded a PhD by publication by the University of Westminster for her work exploring the relationship of children and photography to the computer.
In 2018, she was named as one of the Hundred Heroines by The Royal Photographic Society, an initiative to showcase the best of global contemporary female photographic practice and reflect the amazing diversity of methodologies and approaches of different generations of women working within the medium.
Working on a new commission for the Media Wall at The Photographers’ Gallery in London in 2017
Participating in both Regarding Portraiture at Galerie Andreas Schmidt, Berlin and Gravitas curated by Christian Monarchi for Photo50 at the London Art Fair (2017)
Delivering the keynote lecture in 2018 to launch curator Anne Lyden’s When We Were Young at the Scottish National Portrait Gallery
Being invited to stage at mid-career retrospective in Glasgow for Generation – 25 Years of Contemporary Art in Scotland (2015).